The labyrinth is an ancient idea made new. The spiral design has been around since before recorded history, though no one is sure where the pattern originated or why.

In Neolithic times, labyrinths were scratched into rocks. In Cretan tradition, a labyrinth imprisoned the mythical Minotaur. For medieval Christians, walking a labyrinth at a cathedral such as the one in Chartres, France, substituted for a pilgrimage to Jerusalem.

Over the past few decades, labyrinths have been repurposed to aid in meditation, healing, and inspiration, and have been established at churches, schools, parks, museums, and hospitals. They’ve also made their way into private yards for homeowners seeking a spiritual retreat, a striking landscape element or both.

Lauren Artress is founder of Veriditas, which describes itself as an organization “inspiring transformation through the labyrinth experience.” The long-term canon pastor at Grace Cathedral in San Francisco, Artress turned to labyrinths during the AIDS epidemic.

“Intuitively, some part of me knew we needed some kind of pastoral tools,” she said. The looping pathways provided a spiritual outlet for the grieving and the frightened; people could walk together or alone, they could pray aloud or in silence, they could seek calm religiously, spiritually or meditatively.

“The beauty of a labyrinth is that it can do so many things, like a string bass that can fit into a jazz band, a string quartet, and then a symphony,” she said.

As Ms. Artress began introducing other communities to the concept, labyrinths began springing up across the country, perhaps because Americans were becoming more open to alternative kinds of spirituality, perhaps because walking meditation is easier for our restless society to adopt than sitting meditation.

The online World-Wide Labyrinth Locator put together by the Labyrinth Society lists more than 5,000 labyrinths.

David Tolzmann has created public and private labyrinths for 21 years. He estimates that his Connecticut-based business, the Labyrinth Company, builds 300 to 400 yearly; it also offers templates from $550 to $2,000, as well as kits for $4,000 to $28,000. While there’s been a “steady growth” in private labyrinths for 15 years, Mr. Tolzmann said, “the explosive growth is in public parks; it’s amazing.”

Labyrinths provide paved areas that can be a “self-serve meditation space” for adults and “something cool” for children to run around on, he said.

Ms. Artress thinks the interest in labyrinths will only increase as technology continues to interrupt our thoughts, invade our consciousness, and make it difficult to quiet our minds. “There’s a hunger for it,” she said, “and a need for it.”

After Vickie Baily left the “fanatical” Christian denomination she grew up in, “I wanted to remain a spiritual person, but I couldn’t find anything I believed in.” Then she walked a labyrinth at the Retreat and Conference Center at Bon Secoursin central Maryland. “It felt spiritual to me, and it didn’t have the parts of belief I couldn’t continue.”

At first Ms. Baily, a 62-year-old photographer and writer, would build labyrinths made of branches in Rock Creek Park, near her home in Chevy Chase, Md. (She thought she saw evidence that someone else was walking the labyrinths but didn't know who it was.)

After all the children in their blended family grew up, she and her husband, Martin, bought a refurbished Victorian in the historic town of Garrett Park, Md., and decided to put a labyrinth in their yard as part of a re-grading project. It took six months and a lot of trial and error for Vickie Baily and landscaper Jonathan Graham to bring the idea to fruition in 2009.

After considering the space and how long it would take various kinds of grass to fill in the design, the two settled on a 30-foot Cretan-style, flat, seven-circuit labyrinth with “walls” of sod and paths of river gravel, which crunches lightly and pleasantly beneath visitors’ pacing feet.

The design, an eye-soothing swirl of green and gray, was created with paver edging. The labyrinth required two dump trucks of topsoil, 2,240 square feet of sod (some of which went on the outside of the labyrinth), 2 tons of stone dust and 1.5 tons of river gravel, and cost $13,000, Ms. Baily estimates.

The Baily labyrinth is the only one in this article not listed on the World-Wide Labyrinth Locator. “We just did it for ourselves and whoever found it,” Ms. Baily said. It has drawn neighbors, passersby and people who learned of it through word of mouth. Children gather on it during Halloween. At Christmas, the Bailys line it with lights.

Though Ms. Baily doesn’t use it regularly, she does walk the labyrinth when she knows a friend is facing a problem. “It's a way to promise them I’m really going to think about them,” she said.

She says she is surprised by the amount of maintenance. She mows twice a week, weeds frequently, clips the edges two or three times a year, and blows off leaves in the fall.

“It's hard work, but it's also a gift I can give my community,” she said, adding that she finds tending the labyrinth meditative.

The Bailys’ labyrinth, along with several public labyrinths in the Washington region, will be featured in a documentary, Labyrinth Journeys. Visit labyrinthjourneysfilm.com for more information.

John and Anne Burrows came at their two labyrinths as landscaping elements. Anne saw an article in a gardening magazine about Cretan labyrinths and wrote to the author requesting instructions. She and John found out later that the author, Robert Ferre, was an expert on the spiritual aspects of labyrinths. But in responding to the Burrowses, “The loveliest thing about it was that he behaved like a gardener, and he replied with all the instructions, no charge,” she said.

John and Anne built a Cretan labyrinth in 2000 on a treeless part of their large property in North Potomac, Md., onetime pastureland they had purchased after years overseas with the World Bank.

After a visit to Chartres Cathedral, the couple, now both 83, were inspired to create a second labyrinth in 2006. 

The Chartres labyrinth is more formal; the Cretan is “our rustic one,” John said.

How often do they use the labyrinths? “Besides maintaining them, if we’re really honest, not a lot,” Anne said.

“Some see it as a religious thing, some see it as a meditation thing, some see it as a fun thing,” John said. “I just see it as a landscaping thing.”

First Published May 4, 2016, 4:00 a.m.