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Article published May 17, 2009
Origami magic: In the hands of an artist, a piece of paper takes beautiful shape

( THE BLADE/JETTA FRASER )

Linda Morrissey’s introduction to the ancient art of origami was uniquely modern: it happened because of a job she had giving technical support over the phone.

“I was looking for something to do with my hands,” said the South Toledo woman, who taught herself paper folding after checking out books from the library.

That was seven years ago. Now, she’s not working on the phone anymore but her hands are still busy creating challenging forms, offering weekly lessons at a local Hobby Lobby, and continuing a tradition that goes back centuries.

“It’s just absolutely amazing that you can take this flat piece of paper and turn it into a three-dimensional animal or whatever,” she said. “It’s magical.”

Origami magic

The origins of origami are as mysterious as how someone can possibly make a hopping frog or beautiful crane out of an ordinary piece of paper.

HOW TO MAKE A SWAN
VIEW: a step-by-step guide on how to make an Origami Swan

“Some people say that the invention of paper was created [in China] about 105 A.D. and that paper folding must have been invented soon afterwards,” said Carolyn Putney, curator of Asian art at the Toledo Museum of Art.

The country credited with truly developing the practice is Japan, where certain origami designs even were incorporated into religious ceremonies. The word itself comes from the Japanese oru, meaning “to fold,” and kami, which means “paper” but is also a homonym for “spirit” or “god.”



Only the most basic designs were kept and passed down through families, Ms. Putney said. The first book showing Japanese paper folding methods didn’t come out until 1797, and modern origami, with its flurry of new models, waited until the 1950s.

There are two basic rules for traditional origami: one piece of square paper and no cutting, although there are schools that deviate from this. Even with such challenging limitations, the results can be astounding, much more than child’s play.

“I think people look on it as something that children do. The Japanese masters who do it don’t consider it a children’s game or craft at all because they’re far more adept than that,” said William Peck, a retired curator from the Detroit Institute of Arts and origami enthusiast. “The most complicated one I used to make regularly was a crab with all eight legs and two pincers.”

“I used to do it instead of doodling,” he said. “In a meeting, it would become a little distracting to people because I would be making paper animals.”

Today origami is used in everything from hand and cognitive therapy to understanding geometry. Some people think of it as a good means for teaching hand-eye coordination, others as pure art, according to Jan Polish, a volunteer with OrigamiUSA, an organization devoted to spreading the joys of paper folding.

No matter how it’s used, the satisfaction at the final product remains the same.

“It’s like a puzzle trying to figure out how to fold something,” Miss Morrissey said. “I can say, ‘Ha! I did it!’ I’m proud of myself.”

Contact Ryan E. Smith at:ryansmith@theblade.com or 419-724-6103


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