When I watched ABC's Body of Proof pilot last summer, lead character Dr. Megan Hunt (Dana Delany) came across as a fairly unsympathetic, cold character.

Eight months later, Hunt seems less shrill. Is that because I know what to expect -- or because of tweaks made to the pilot episode (an ABC representative acknowledged some minor reshooting of scenes)?

Either way, Body of Proof, which premieres at 10 p.m. Tuesday on WTVG-TV, Channel 13, seems less likely to drive viewers away, at least not viewers content with whodunit procedurals. It fits neatly and blandly in that tired category.

The show benefits from a strong central character played by the always-engaging Delany. In some ways, Hunt brings the actress full circle. The good doctor is closest in temperament to nurse Colleen McMurphy, the character Delany brought to life in the excellent, late-'80s ABC drama China Beach. But where China Beach was a serial, Body of Proof is a paint-by-number episodic.

A body turns up, Philadelphia medical examiner Hunt and medical investigator Peter Dunlop (Geoffrey Arend) show up at the crime scene and bump heads with police detectives Samantha Baker (Sonja Sohn, The Wire) and Bud Morris (John Carroll Lynch), then Hunt begins her own sleuthing, eventually ruffling feathers at her workplace and catching flak from her boss, Dr. Kate Murphy (Jeri Ryan, Star Trek: Voyager), before solving the case by the end of the hour.

If it sounds like Quincy or Crossing Jordan, or Rizzoli & Isles, that's because it is.

In addition to Delany, Body of Proof benefits from an admirable supporting cast. Ryan isn't given much to do in the pilot but she dons scrubs in a future episode. Sohn is a welcome sight for fans of The Wire, but those viewers might feel sorry to see her go from such a dense, smart show as that HBO series to material that's much less challenging for viewers and presumably for the actors, too.

Body of Proof was created by Christopher Murphey (writer of the recent Karate Kid remake), who wrote this week's premiere and attempts to freshen up the proceedings by giving Hunt a backstory that allows for a more complicated character at the show's center.

In Tuesday's premiere, viewers learn about Hunt's past. She was a top neurosurgeon until she was injured in a car accident. After that, she tried to operate again but wound up killing a patient. Now she's a medical examiner, she says, because, "You can't kill somebody if they're already dead."

On top of that, Hunt has a frosty relationship with her ex-husband and she's somewhat estranged from her teenage daughter.

"I lost my child to my career and then I lost my career," Hunt says, noting that if a woman works 18-hour days she's an "absentee mother" but a husband who does the same is a "good provider." It's a keen observation and opens up an interesting area to explore, but after the Body of Proof pilot, many of Hunt's edges soften.

In one upcoming episode, Hunt's daughter shadows her at work and the episode's tone -- murder investigation aside -- is much lighter than the pilot's. Control freak that she is, Hunt tries to control her colleagues, but they don't fall in line. Hunt delivers disapproving glares, just with more humor than allowed by her selfish, haughty demeanor in the pilot.

This episode also offers an opportunity for Delany to show her watery-eyed, more vulnerable side, the same acting techniques she used on China Beach when tough cookie McMurphy would reveal cracks in her hard shell. But on China Beach, seeing that softer side felt earned; on Body of Proof, it seems more calculated.

What's more, this episode sacrifices Hunt's dark sense of humor, one of her more redeeming qualities in the pilot.

It's understandable that the powers behind the series would want their lead character to be less off-putting. As a viewer, I wanted to like Hunt more than I initially did. The problem with toning down Delany's character is that it means diluting the only thing that distinguishes Body of Proof from all the other crime procedurals, and what's left is a generic show with an above-average star.

The Block News Alliance consists of The Blade and the Pittsburgh Post-Gazette. Rob Owen writes for the Post-Gazette.

Contact him at: rowen@post-gazette.com

First Published March 28, 2011, 4:15 a.m.